EWQL Symphonic Choirs Manual
Requirements Symphonic Choirs Platinum Edition Imagine typing words into your computer, in any language, and hearing a world class Symphonic Choir sing those words in any key s you play “live” on your keyboard controller! In addition, this is the first bit Choir virtual instrument to include three simultaneous stereo mic setups close, stage and hall , so users can mix any combination of mic positions to control ambience. WordBuilder is the word building software that enables Symphonic Choirs users to type in words for the Choirs to sing. Many choirs sing in Latin so this is a real time saver for those on a tight deadline. The phrases have been optimized for each Choir.
About[ edit ] Symphonic Choirs is a bit vocal synthesizer designed to imitate an entire vocal choir, the content was created by producers Doug Rogers and Nick Phoenix with recording engineer Keith O. Johnson for EastWest. Recorded in a real concert hall the software initially had two styles of producing a result the first being the “PLAY” engine version and the second being the “WordBuilder”. The WordBuilder works by the user typing in what they want the software to recreate and it playing back the words.
It has vocal samples for male, female and young boys’ choirs. It covers the ranges Soprano , Alto , Tenor and Bass and has audio engine effects and outputs.
It was recorded with 3 microphones, allowing for results that give the impression of the choir being in different positions. Other samples include solo sounds in tones such as whispers covering Soprano, Alto and choir boy, though these samples do not use WordBuilder.
The software also works with Kompakt allowing for use of sound layers for user creation of choirs to suit the means, although the software can be used without Kompakt the user will not be able to access the full capabilities of the sample library. They were also built with the WordBuilder in mind. It also includes sample patches “Angels” and “Demons” from “Voices of the Apocalypse”. Unlike the original software, the expansion is recorded with a single microphone.
Reception[ edit ] When reviewing the original version of the software, Sound on Sound reviewer John Walden called the quality “magnificent” and believed it was suitable for hobbyist, educational and professional markets. However, it noted the software’s limitations beyond that of choir. Other criticisms include the note of the wobbliness of some of the solo samples and while the Bass were “gutsy” and the sopranos “ethereal” it was difficult to make samples switch roles.
Focusing on the high price, the product was given an overall mixed review and it was noted due to the high price some seeking such a product may be better off if the software offered a quarter of the content at a lower price.
Rubin felt the software was “high-end” noting its flexibility. He is noted that you have to learn how to work with the phonetic system quite a bit and the results may not be as good as an experienced choir director can deliver, but noted how it worked to give a great virtual choir. He noted at the time of his review there were no solo tenor or bass samples and the word builder did not work with the solo samples, but gave an overall good review. The high demand of the processor was also noted by him as well as a downfall of the software.
WordBuilder is arguably the most significant piece of technology in the Choirs package. Sure — in terms of raw samples, there has never been a choir library this substantial. That said, our look at WordBuilder will be brief, only because the application is so deep that to fully explain its use and application would exceed the scope of a review and lead into something more of a tutorial. The first thing to understand about WordBuilder is that while a monophonic note-line will be routed in from your controller or sequencer , WordBuilder will transmit much more MIDI data at output. The incoming note from your controller or sequencer will have a velocity value that will be passed into each segment in WordBuilder. However, we can change the velocity of each segment on the fly in WordBuilder, if we so desire. Even more useful is the ability to set transitions between segments and phrases.
VIDEO: Ewql Symphonic Choirs Mac Keygen App
So I recently got EWQL Symphonic Choirs (+ WordBuilder), and I would like to use it within Sonar 6. I do not really know how to put together the. EWQL Symphonic Choirs, An Overview. The Design Point For the Symphonic Choirs Library. The EastWest/Quantum Leap Symphonic Choirs virtual instrument. Alright, after so many hours of setting things up and trial and error I finally managed to get this to work in Cubase, via MMX wrapper+plugin.