Waves Electric 200 Piano Virtual Instrument – (VST/AU/RTAS/AAX)

This piano instrument mainly concentrates on the lower range, with sustains and staccatos, which make it perfect for dramatic passages or experimental productions. The samples were compressed to have a total size of under MB. VS Upright No. You can use it in the main melody or in the background of your tracks.
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What do you want to become? It conjures up images of smoky bars, rich, melodic music — both lead and accompaniment — thick underlying bass on one hand, and on the other, a cascade of sparkling notes. However, tracking down authentic hardware seems unlikely so are there possibilities in software that could offer a similar vibe within our computer?

The simple answer is yes! There are many wonderfully designed virtual electric pianos attempting to capture the soul of these instruments. Both sample-based and acoustically modeled, covering Rhodes and many other styles of hardware, these are the best virtual electric pianos to release your inner Ray Manzarek.

Waves are more renowned for their effects plug-ins and audio processing software but have recently ventured into sample-based instruments. One of their first offerings is the Electric 88 Piano. This is a single instrument, a specific instrument, sampled and captured into a simple and extremely playable virtual electric piano. In other words, they found a really cool vintage piano and tried their best not to screw it up.

The result is a virtual electric piano with warmth, humanity and emotional appeal. Waves wanted to capture the sort of uniqueness and beauty of an instrument that could move you to tears. They took multiple samples of every key to preserve the character and it was all done by hand to retain the human feel. The standard library is only MB, with an HD option of But the raw samples are only the beginning. Waves then built in a lot of additional processing and mixing options to produce a wide palette of sounds.

You can mix in background and mechanical noises, along with Tines level and Key-Up sound. A formant control lets you shift the samples in a detuning kind of way. Finishing up is an effects rack for some well-needed tremolo, autopan, phaser, chorus, and reverb, plus a side order of EQ. Unfortunately, the video demonstration is strangely disappointing but they have a demo version you can download and play with for free and I heartily recommend you do so.

Link to Website: They sought out four pristine examples of fabulous vintage keyboards and then sampled the heck out of them. Lounge Lizard has been around for far too long, being originally released in However, in its current version 4, it is still able to produce enviable Rhodes and Wurlitzer sounds.

Applied Acoustics make instruments using physical or acoustic modeling. Instead of sampling a real-world piano, they create a computer model of how all the materials and physical attributes of the instrument work.

So, the computer knows exactly what happens when a mallet hits a tine. It calculates the frequencies generated, the effects of the materials, the impact of the case and generates a scientifically authentic sound.

As there are no samples involved, the scope of the sounds is pretty much limitless. You can control aspects of the materials and how the resonators and vibrations interact, which gives Lounge Lizard a unique feel. So, although it does give that authentic sound, you can tweak it into some very unique places. The latest version has a reworked effects section bringing in the essential chorus, delay, phaser, flanger, distortion, notch filter, wah-wah, and reverb.

Compression, limiting and EQ give a lot of scope for beefing up the sound and cutting it into your mix. The result is Spitfire start with recruiting top musicians to play the instruments and then top engineers to produce the samples and design the signal chain. Raw sound is not enough for Spitfire, they want to craft something intentionally awesome. Kontakt provides both a certain level of restriction along with versatility, compatibility, and integration with other sound libraries.

The interface is familiar for Kontakt users, nicely vintage looking, but bears no resemblance to the sampled instruments. What you do get is a very tweakable control surface with lots of movement, possibility, and creativity.

The eDNA engine can twist and stretch samples into completely unrecognizable textures. Two motorized effects processors let you control 32 different effects and push them at each other via auto-modulation. The results are unique and offer something completely different from what you signed up for. But you will start with amazing sounding instruments, sampled with musical dedication which you can take into uncharted territory. Their aim is to model the total sonic and aesthetic fidelity of the originals, down to the smallest detail.

The Electric R focuses on a Stage Piano. They modified the instrument to take 8 separate audio outputs so they could capture every nuance. They sampled it in two different environments, one in the studio and one with a more live feel. The combined size is over 10GB on the one instrument. They approach the editing slightly differently. While they still give you deep editing over the mix of background and mechanical sounds, virtual placement of pick-ups and microphones, and depth of resonance they also release you from this complexity with their innovative Pentamorph control.

The Pentamorph takes five parameters and lets you move between them with a single control, instantly creating new variations so you can find your own sweet spot. Rounding it off is an Animator section with more than licks and phrases in all sorts of styles and a chord generator for when you want to drop in something classic. The usual effects of tremolo, chorus, delay, reverb and some chunky amp distortion are all present. The Electric S finds itself emulating the sound of a Suitcase keyboard.

It follows all the same features as the Electric R but this time they go to two with over 18GB of samples. The keyboard in question was restored back to peak condition before they embarked on their sampling adventure.

I get the impression the Electric S is the one they are most proud of. Arturia has built up quite a catalog of vintage instruments and synthesizers captured using their award-winning modeling technology.

In fact, you can take the virtual lid off the virtual interface and fiddle about with the virtual innards. You have control over all the parameters such as dynamics, hammer hardness, tone bar resonance and some simply not accessible in the physical world.

Coupled to the piano are the built-in amp and speaker of the Suitcase or the separate classic amp models of the Stage version. Alongside is a range of foot-pedals and stomp boxes to lend authentic effects to your sound. The layout of the Stage V gives you the most comparable experience to the real thing.

They will all delight and enthrall you. Choosing which one is best for you is a tricky task. At least with Lounge Lizard, Stage V, and the more humble Waves Electric 88 you can run them side by side and make an informed decision. For me, the strength of the North 7 Vintage Keys is in the unusual places you can take it, whereas the Electric 88 is awesome for its simplicity, price and unique sound.

Lounge Lizard perhaps feels its age whereas the Stage offers a more up-to-date approach, better integration, and control. However, you cannot go far wrong with any of these emotive emulations of a truly inspirational instrument.

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38 Best Free Kontakt Libraries – Table of Contents:

It utilizes a grand piano sample and does a great job of it. Unfortunately, the file size is rather large and may require more processing power than other piano VST plugins. The settings are very easily used and are sorted by various tabs such as room, keys, and pedal. Each of these tabs have settings that are clearly and distinctly shown as seen in the image above. If these traits are high on your priority list, then this may be the right piano for you. Option 6:

VIDEO: The Best Computer Music and acoustic technology INC

Keyzone Classic is a free Piano plug-in developed by Bitsonic. FWIW, this won a free piano VST shootout: west.u6831319.isp.regruhosting.ru?v=15WSsyelkmo. VST Piano Plugin. Archives of the best free virtual instruments (Piano) for download. Saloon, Steinway piano, E-Piano, Acoustic piano, DSK-ElektriK-Keys 2. Are you looking for the best piano VST plugins to use in your own productions? If so, you may quickly realize that there are seemingly endless.

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